What we rent
Video inventory at a glance
Fat Fish Media owns its LED tiles, processing, cameras, projectors and two broadcast trucks, all based in Salt Lake City. Rent a wall for a ballroom general session, a daylight screen for a festival, or the full video chain with engineers anywhere in Utah.
2.9mm indoor LED wall
500mm tiles at 2.9mm pitch, flown or ground-stacked, sharp from 10 feet back for general sessions, galas, theaters and arena sets.
3.9mm outdoor LED screen
IP65 tiles bright enough for daylight, for festival IMAG, amphitheaters, fairs and parking-lot stages, flown or ground-stacked with ballast.
1.5mm fine pitch and corner tiles
Fine-pitch tiles with mitered corner modules for broadcast sets, trade show walls and close-viewing scenic: columns, cubes, headers and 90-degree returns.
Processing, switching and playback
4K LED processors with redundant outputs, screen-management switchers from compact to multi-M/E, media servers, playback machines and confidence monitors.
Projection and screens
5K to 20K lumen laser projectors with short and long-throw lenses, fast-fold screens to 13 by 24 feet, rear projection and a 20-foot inflatable outdoor screen.
Displays, totems and SEG frames
4K displays from 43 to 98 inches, 65-inch signage totems, teleprompters and backlit fabric SEG frames for booths and LED wall surrounds.
Video we rent across Salt Lake City and Utah
LED walls, projection, cameras and switching
Indoor LED walls for general sessions and galas
Our indoor inventory is 500mm LED tiles at 2.9mm pitch, the sweet spot for ballroom and theater stages viewed from 10 feet and beyond, plus 1.5mm fine-pitch tiles with mitered corner modules for broadcast sets, trade show walls and scenic pieces seen up close. Walls fly from truss or ground-stack on engineered bases, run on 4K processors with redundant outputs, and our LED technician maps and color-matches every tile before doors.
Outdoor LED screens for festivals and concerts
For amphitheaters, fairs and festival stages we carry 3.9mm outdoor IP65 LED tiles bright enough for daylight, flown from truss or the roof of our mobile stages or ground-stacked with ballast. We feed IMAG from our camera packages, run sponsor loops and schedules between sets, and keep spare tiles and processing on site. The screens beside the Deer Valley summer concert stage are ours.
Cameras, switching and live streaming
Studio broadcast cameras with box lenses on fiber, PTZ cameras, handheld cinema cameras and wireless video feed production switchers from compact to multi-M/E, with isolated recording of every input, captioning, graphics and streaming encoders to any platform. For arena shows and televised events our 53-foot expanding broadcast truck or 24-foot broadcast trailer parks at the dock with production, audio and engineering already built in.
Projection, displays and scenic surrounds
Where a wall is not the answer we rent 5K to 20K lumen laser projectors with short and long-throw lenses, fast-fold screens up to 13 by 24 feet for front or rear projection and a 20-foot inflatable outdoor movie screen. We also stock 4K displays from 43 to 98 inches, 65-inch digital signage totems, confidence monitors, presidential teleprompters and backlit fabric SEG frames that dress an LED wall or build a booth.
Video specs
Pitches, processing and the signal chain
Indoor tiles
2.9mm pitch, 500 x 500mm, flown from truss or ground-stacked, for viewing from 10 feet and beyond
Fine pitch
1.5mm pitch, 496mm tiles in flat and 90-degree corner modules, for broadcast sets and viewing under 10 feet
Outdoor tiles
3.9mm pitch, 500 x 500mm, IP65 front and rear, daylight brightness, plus 6mm tiles for very large outdoor screens
Processing
4K LED processors with redundant outputs, pixel mapping and color calibration by our LED technician
Switching
Production switchers from compact to 4 M/E with isolated recording and captioning, screen management for multi-screen sessions
Cameras
Studio broadcast cameras with box lenses on fiber, 4K PTZ cameras with controllers, cinema cameras and wireless video
Projection
5K to 20K lumen laser projectors with ultra-short to long-throw lenses, fast-fold screens to 13 x 24 feet, 20-foot inflatable outdoor screen
Broadcast
53-foot expanding broadcast truck and 24-foot broadcast trailer with production, audio and engineering positions
What comes with every LED wall rental
An LED tech and video engineer
They build, map, calibrate and run the wall, and handle switching and playback through the show.
A pixel map and content spec
Exact canvas size, safe areas and file specs sent to your designer before anything is rendered.
Engineered rigging or ground support
Flown from truss with motors or ground-stacked on bases with ballast, matched to the venue and its load limits.
Power and signal
Power distribution, fiber and data cabling sized for the tile count, not borrowed from the venue.
Redundancy and spares
Backup processing, spare tiles and modules ride on the truck for every wall.
Record and stream outputs
Program and ISO recordings and a clean streaming feed are available on every switched show.
How renting an LED wall works
Step 1
Share the room and the content
Venue, dates, audience distance and what will be on screen: slides, IMAG, sponsor loops or a full show design.
Step 2
We size and quote
Pitch, tile count, processing, rigging, power and crew in a quote with a drawing, usually the same business day.
Step 3
Load-in, map and calibrate
The wall goes up, gets mapped and color-matched, and your content is tested on it before rehearsal.
Step 4
Show, record and strike
Engineers run the show and recordings, then the wall comes down on your schedule.
Recent walls
LED walls we have built in Utah and beyond
Miss Utah pageant. A 2.9mm LED set with scenic columns and beam lighting for a televised pageant in Salt Lake City.
Arena commencement. Flown LED walls and IMAG side screens for a university graduation in a 10,000-seat arena.
Salt Flats summit. A tent-stage LED wall with playback, PA and generator power on the Bonneville Salt Flats.
Where we deliver LED walls
Our warehouse is in Salt Lake City, so the Wasatch Front is standard delivery. We build walls for conferences, festivals and arenas across Utah and truck video and broadcast packages to Nevada, Colorado, Idaho and national shows.
- Salt Lake City
- Park City
- Provo and Orem
- Ogden
- Lehi and Silicon Slopes
- Sandy and Draper
- Logan
- St. George
- Las Vegas
- Denver
- Boise
- National touring
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Client reviews
What clients say
★★★★★
“They are fair priced, fast moving, and get stuff done! We even had a need arise at 10pm for the following morning, and they were able to get it together for us overnight.”
★★★★★
“The best AV vendor.”
★★★★★
“Best company for all your production needs!! Very professional. Easy to work with!!”
FAQ
LED wall rental questions
What pixel pitch do I need for my event?
2.9mm for ballroom, theater and arena stages seen from 10 feet or more, 1.5mm for broadcast sets, booths and anything viewed up close, and 3.9mm outdoor tiles for daylight festival and concert screens. We size the wall to the room and the content, not the other way around.
How big an LED wall can you build?
From a 6 by 3 foot booth header to a 40-foot-wide main-stage wall with side screens. Tiles are 500mm square, so walls scale in roughly 20-inch steps in any ratio, and corner tiles let us build cubes, columns and 90-degree returns.
How much does LED wall rental cost in Utah?
LED walls are priced per tile per day plus processing, rigging or ground support, power, crew and transport. A 10 by 6 foot indoor wall is a very different number than a 30-foot festival screen, so send the size, venue and dates and we will quote it the same business day.
Can the LED wall go outdoors?
Yes. Our 3.9mm tiles are IP65 rated front and rear and bright enough for daylight. We fly them from truss or a mobile-stage roof or ground-stack them with ballast, with a wind plan for the show.
Do you provide content, playback and switching?
Yes. We supply 4K LED processors, screen-management switchers, media servers and playback machines, and our video engineer builds the pixel map and loads your content. We can also produce motion graphics and sponsor loops.
Can you live stream or record the event?
Yes. Camera packages, isolated recording of every input, captioning, graphics and streaming encoders travel with the wall, and our broadcast trucks handle arena and televised shows.
LED wall or projector, which is better?
LED wins in bright rooms, for daylight outdoors and for seamless wide walls. Projection wins on cost for a single 16 by 9 screen in a darkened ballroom. We quote both when it is close.
How far in advance should we book an LED wall?
Two weeks is comfortable for a standard indoor wall. Festival season and December corporate shows book out a month or more, so reserve tiles as soon as dates are set.
