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Which fixtures to rent for a concert, a general session or a gala, how they are priced, and the truss, power and crew that make a rig work.
November 8, 2026
7 minute read

Lighting is the part of an event budget people understand least and notice most. A room that looks fine to the eye reads flat on camera, and a festival stage without movers feels like a parking lot. This guide walks through what we rent for the three most common Utah events, how the gear is priced, and the pieces around the fixtures that make a rig actually work.
Before fixture counts, answer two questions. How big is the stage and the room, and will the event be filmed or streamed? Lighting for a camera needs more front light at a consistent color temperature than lighting for an audience, and it changes how many profile fixtures you need. The venue matters too: a ballroom with no rigging points gets ground-supported truss, an arena gets flown truss on chain hoists, and an outdoor stage gets its rig on the mobile-stage roof.

A concert rig is built around moving heads. Spot and profile heads carry gobos and aerial beams, zoom LED wash heads paint the stage and the crowd, and 4-cell blinders and strobes handle the big moments. Add pixel battens for eye candy, hazers so the beams show, and a touring console with a lighting designer who builds looks per song. A club or small festival stage might carry 8 to 12 movers; a main stage carries 24 to 40 plus washes and blinders.
Here the goal is a presenter who looks good in the room and on the screen. Ellipsoidal profiles with lens tubes provide keylight from the front truss, LED wash heads color the set and the scenic, and battery uplights line the walls. A programmer runs cues from your show flow, so the walk-up, the video roll-in and the Q and A each get their own look. For a 300 to 1,500 seat general session we typically hang two truss spans with 8 to 16 profiles and 8 to 16 wash fixtures, plus a console and distribution.

Decor lighting is the most affordable way to change a room. Battery LED uplights in your palette, pin spots on centerpieces, a gobo of the logo or monogram on the dance floor and a warm wash on the stage will transform a hotel ballroom for a fraction of a scenic budget. Battery tubes and wireless DMX let us light photo ops and lounges where cable cannot run.
Fixtures are only half the rental. Black 12, 15 and 20 inch box truss, corner blocks and base plates build the structure; quarter-ton to one-ton chain hoists and motor controllers fly it where the venue has points; crank lifts and goal posts carry it where it does not. Every rig needs power distribution sized to the fixture count, cable packages, DMX networking and someone who signs off on the hang. Our riggers do that on every job, and we bring the paperwork for haze and effects.
A ballroom uplighting package is the most approachable rig we rent; a general-session rig with truss, movers, power and a programmer is a mid-sized production; a festival main stage is a major one. We quote the whole rig, including crew and transport, so there are no surprises on the invoice.
Our full fixture, truss and effects inventory is on the lighting rental page, and you can request a lighting quote with your venue, dates and a reference photo of the look you want.
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