Live streaming and hybrid events
Fat Fish Media produces live streams and hybrid events for conferences, university commencements, galas, concerts and product launches. We bring the cameras, switching, audio, encoding and crew, run the show from a control position in the room or from one of our two broadcast trucks, and deliver a stream that looks like television rather than a webcam. Based in Salt Lake City, we stream from venues across Utah and travel nationwide.

4K studio cameras on tripods and jibs, PTZ cameras for discreet angles, a live switcher with graphics, lower thirds and your slides, and a director calling the cuts.

A 53-foot expanding semi and a 24-foot trailer with production, audio and engineering positions, multi-camera switching, isolated recording and streaming, for arena, stadium and multi-day productions.

Remote speakers join through the switcher with return audio and video, in-room and online audiences see the same program, and Q&A, polls and chat are moderated from the control position.

Redundant encoders feeding YouTube, Vimeo, LinkedIn, Zoom, Teams, a private portal or your event platform, with bonded internet when the venue cannot guarantee bandwidth.

A dedicated broadcast mix separate from the room PA, wireless microphones and lavaliers, audience and ambient microphones, and intercom between the director, camera operators and stage.

Program and ISO recordings of every camera, same-day highlight clips, and edited session videos your team can publish, train with or offer on demand.
Who hires us to stream

Commencement is the live stream with the largest and most forgiving audience: grandparents, deployed parents and friends who could not travel. We cover the ceremony with multi-camera IMAG on the arena screens and send the same feed online, with name-reader audio clean enough to hear every graduate. We have produced these ceremonies for Western Governors University in arenas and stadiums across the country.
For a general session, the stream is a second room that happens to be everywhere. We switch the keynote, panels and slides for the screens and the stream at the same time, bring remote presenters into the program, and record every session so the content outlives the event. Multi-day programs usually run from one of our trucks so the ballroom stays clear.


A hybrid gala has to raise money from two audiences at once. We stream the program, the paddle raise and the performances with a broadcast look, put the donation link and running total on screen, and keep the remote audience in the room with a host who speaks to the camera. For concerts and festivals we add long lenses, a jib and a director who knows the setlist.
Some clients already have a production company and need a broadcast team to plug into the house feeds. Others want Fat Fish Media to produce the room and the stream together, which is where the trucks and a single crew make the most difference. Both come from the same shop, with one production manager as your point of contact.

At a glance
Step 1
We confirm where the stream will live, who is watching, how long the program runs and what the venue offers for internet, power and camera positions.
Step 2
Camera plot, graphics package, remote presenter plan and a run of show that covers both audiences, with a line-item quote within two business days.
Step 3
Camera and stream tests, a rehearsal with speakers and remote guests, then a director-led broadcast with a stream engineer watching every encoder.
Step 4
Program and ISO files, highlight clips and viewer numbers delivered within the week, with edited sessions on request.
Recent work

Stadium commencement in Dallas. Multi-camera IMAG on the stadium screens and a live stream for Western Governors University graduates and the families watching from home.

Momentum 2026 general session. Keynote and panels switched for the ballroom LED wall and recorded for Magellan Financial, followed by a concert with Train on the same stage.

Adidas x Wanderlust hybrid launch. Rooftop yoga classes in Los Angeles and New York switched into one live stream for nearly a million viewers.
Explore
Conference and event AV: LED walls, line-array audio, lighting, staging and the crew to run the room.
AV productionIndoor and outdoor LED tiles, processors and cameras for IMAG, with rigging and content support.
LED wall rentalArena and stadium ceremonies with IMAG, distributed audio and a live stream for families at home.
Academic eventsClient reviews
“They are fair priced, fast moving, and get stuff done! We even had a need arise at 10pm for the following morning, and they were able to get it together for us overnight.”
“The best AV vendor.”
“Best company for all your production needs!! Very professional. Easy to work with!!”
FAQ
It scales with cameras, crew and hours. A single-camera stream of a keynote with a stream engineer is a modest line item. A multi-camera production with a director, graphics, remote presenters and a broadcast truck for a multi-day conference or an arena commencement is a different order of magnitude. The biggest drivers are camera count, crew days, truck or control-room setup, redundant internet and any post-event editing. We quote line by line so you can add or trim before you commit.
Any platform that accepts an RTMP or SRT feed: YouTube, Vimeo, LinkedIn Live, Facebook, Zoom, Microsoft Teams, Hopin, Cvent and private event portals. We can stream to several at once, run a private password-protected page, and provide an embed for your own website.
We never rely on venue Wi-Fi. We order a dedicated wired circuit when the venue can provide one, bring bonded cellular as backup or primary, and run redundant encoders so a failure on one path does not take the stream down. For arena and stadium shows the trucks carry their own connectivity.
Yes. Remote speakers join through a dedicated return feed with their own audio mix, appear on the in-room screens and in the stream, and can share slides. We rehearse with each remote presenter before the show.
Yes. We record the program feed and isolated cameras in full resolution, keep a backup recording at the encoder, and deliver files or edited session videos and highlight clips after the event.
A keynote or panel reads well with two or three cameras: a wide, a tight and a roaming or PTZ angle. Commencements, concerts and galas usually run four to six so the director can cover the stage, the audience and the moment. We recommend the smallest package that still looks like broadcast.
Four to eight weeks is comfortable for a single-day conference or gala stream. Commencements, multi-day programs and anything that needs a broadcast truck are safer at three to six months, mainly to secure the truck, the venue circuit and the crew.
Our base and warehouse are in Salt Lake City, so events across Utah, including Park City, Provo and Ogden, are home turf. We stream regularly in Denver, Las Vegas and Boise, and the trucks and crew travel nationwide for commencements, conferences and tours.