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Sixty-five acres on the west side of downtown, with historic halls, an outdoor arena and room for a festival. Here is how the Fairpark works for a produced event.
November 9, 2026
6 minute read

The Utah State Fairpark & Event Center is 65 acres at 155 North 1000 West in Salt Lake City, ten minutes from downtown and right off I-80 and I-15. It is best known for the state fair each September, but the rest of the year the grounds host festivals, concerts, trade shows, galas, graduations and holiday markets. Kilby Block Party, Utah's largest music festival, has made the Fairpark its home each May.
Fat Fish Media produced the silent disco at Kilby Block Party 2025 inside one of the Fairpark buildings: a DJ stage, moving lights, lasers and a multi-channel wireless headphone system for the festival crowd. This guide covers what the grounds offer and what to plan for.
The Fairpark's strength is space. There is room for multiple stages, a vendor village and parking, and the buildings give you weather-proof rooms for a silent disco, a sponsor lounge or an indoor stage. The trade-off is that the grounds are a blank canvas: you bring the stages, the roofs, the power distribution, the fencing and the lighting.
For an outdoor stage we use mobile stages with hydraulic roofs or a ground-supported roof system, line-array audio sized to the field, and LED screens for IMAG. Our mobile stages set up in a morning and carry a full lighting rig, which matters when you have several stages to open by noon.

The Grand Building is the room most clients ask about. The upper floor, with its wooden dance floor and chandeliers, suits a gala or a wedding-scale dinner; the lower floor is better for a stage show because of the taller ceiling and open entrances. Neither has a built-in rigging grid, so lighting and audio go on ground-supported truss and towers, and power comes from the building's distribution plus generators when the show calls for more.
For the Kilby silent disco we lit the hall with moving lights and lasers, built a DJ riser with inflatable scenic and ran multiple channels of wireless headphone audio so each channel could follow a different DJ. The result is a club inside a century-old exhibition hall, and it shows what the buildings can do with the right rig.

Beyond stages and audio, we handle lighting, LED video, generators, crowd barricade and camera coverage. Our broadcast trailer can record or stream a festival stage from the grounds. See our concert and festival work.
Yes. The Fairpark rents its buildings, the Days of '47 Arena and the grounds year-round for festivals, concerts, trade shows, galas and markets.
About 2,400 across two floors, with roughly 600 to 750 banquet seats or 840 theater seats per floor.
Building power covers dinners and small stages. Concerts and festivals bring generators, ground-supported truss and mobile stages, which we provide.
Planning an event at the Utah State Fairpark? Tell us the date, headcount and program and we will come back within one business day with a production plan and a line-item quote. We can also walk the space with you before you sign the venue contract.
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Alexi Fisher is the owner of both The Hammered Copper mobile bartending service and The Cocktail Collective, a cocktail and spirits education facility. We had the pleasure to sit down with her and talk about how she broke into the events industry through bartending!

Fat Fish Media was brought in to lead video direction for Gwen Stefani’s After Party, orchestrating the in-person video wall experience and live broadcast. We made sure every angle captured the energy, style, and star power—making Gwen and her team look nothing short of iconic.

In the foothills of Salt Lake City, the Natural History Museum of Utah houses 163,000 sq. ft. of exhibitions and a variety of event spaces available to rent.